Grant Faulkner Visits Prompts of Resilience (And Writes us a Prompted Story...)
And writes us a story...
Over the years, it has been fun to pitch writers I admire on writing a prompt-inspired story for Prompts of Resilience. A few of the writers who have playfully met my challenge are Aimee Bender, Etgar Keret, Amber Sparks.
So when my old friend Grant Faulkner agreed to try out a Prompts of Resilience prompt for the Hall of Fame Feature, I couldn’t have been more excited. Grant’s thoughtful and deeply encouraging Substack newsletter, Intimations: A Writer’s Discourse, is a fantastic newsletter for writers of any form.
Embarking on a creative project with Grant Faulkner is always a delight.
For Grant, I came up with the photo prompt below. You are welcome to try writing a story to the same.. Paid subscribers, feel free to post your photo-inspired stories in the comments section.
The prompt words I offered Grant included:Yawn, waxy, home, strong, butter, help, fancy, promise.
Below is “Roundelay”, Grant Faulkner’s terrific clown story.
Enjoy!
Roundelay
Everyone spoils the child, blames the clown. And yet I dance, I smile, I shake my caboose, and I scare children who are scared of clowns, but did I cause that?
Your name, a simple Diane. But there was nothing simple about you. So I called you Dionisia. But you said you were Diane. But you were Dionisia.
“I fancy you,” I said.
“I fancy that,” you said.
Everything you said felt like art. Even when you ordered a tuna sandwich. When we passed each other in the kitchen, I’d spin you around and kiss you. I wanted to rub moonlight into your back. You wanted me to rub moonlight into your back. Our breaths next to one another. Our breaths one another.
I’ve heard that we’re all just trying to go home, not knowing where home is. Let me venture a theory: Home is being touched by another. Our hands together here. Love swooshing in, love swooshing out (except I only felt it swooshing in).
Why didn’t you look happier, I want to ask now. Why didn’t you trust me to take you to the places you wanted to go?
“Just butter my bread for once, darling,” you said. You yawned with your coffee.
I promised. You promised. I helped. You left. You thought I was a clown, and you were right.
But did you know that love is beyond language? Even though we are forever trying to find language for it? Did you hear me? Did you see my smile?
Love is this emotion, like radium.
I get mad at the world, as if the world can hear my anger. I ask for grace from a God I’ve never seen.
How to confess that my mind is full of vicious ballet instructors who practice fencing?
I wonder whether a suicide note is better handwritten or typed? My cursive is so hard to read. Where does one put a suicide note to make sure it’s seen?
I won’t commit suicide. I worry too much.
My soul feels so big, but the doctor told me it was normal-sized. What do doctors know?
You didn’t call for me, but I looked back again.
***
Grant Faulkner is the co-founder of 100 Word Story, the co-host the Write-minded podcast, and an executive producer on America’s Next Great Author. He has published several books, including The Art of Brevity: Crafting the Very Short Story and Fissures, a collection of 100-word stories, and his flash fiction has been widely anthologized. He publishes the weekly newsletter, Intimations: A Writer’s Discourse.
What fun, Meg and Grant! I couldn't resist...
Two Second Chances
They all think it’s part of Big Red’s costume, that giant butt. They don’t know it’s a quirk of nature: it’s real and it balloons when he’s had enough sex, shrinks to nothing when he hasn’t. Since his partner Matilda got sick, it’s been flat as a pancake. His willpower is strong. He doesn’t cheat. But he has noticed the new contortionist one tent over. Matilda noticed him noticing. “You fancy her,” she said. She wasn’t accusing him; she was hoping. She hated that he would be alone after she was gone, which would be very soon now. Big Red had promised to help her. There was nothing much left for her, and besides, she thought she heard Jesus calling her home so Big Red helped her swallow the bottle of pills. Matilda closed her eyes. That’s that, she thought─ but later she jerked awake and staggered out of bed right into a jumble of arms and legs: her man, with the contortionist coiling around him on the floor. His butt was hugely big. Matilda went back to bed to resume her dying.
What a story! There are some great lines in here, lines so evocative that they can probably act as suns to a new flash fiction solar system. Lines like these: "Everyone spoils the child, blames the clown." "How to confess that my mind is full of vicious ballet instructors who practice fencing?" Great stuff here! The narrative flow has the jerky quality of a home video, especially if it's an old home video that someone is watching as they miss someone, miss that person deeply and puzzle over what happened and especially what could have happened.