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Cheryl Snell's avatar

What fun, Meg and Grant! I couldn't resist...

Two Second Chances

They all think it’s part of Big Red’s costume, that giant butt. They don’t know it’s a quirk of nature: it’s real and it balloons when he’s had enough sex, shrinks to nothing when he hasn’t. Since his partner Matilda got sick, it’s been flat as a pancake. His willpower is strong. He doesn’t cheat. But he has noticed the new contortionist one tent over. Matilda noticed him noticing. “You fancy her,” she said. She wasn’t accusing him; she was hoping. She hated that he would be alone after she was gone, which would be very soon now. Big Red had promised to help her. There was nothing much left for her, and besides, she thought she heard Jesus calling her home so Big Red helped her swallow the bottle of pills. Matilda closed her eyes. That’s that, she thought─ but later she jerked awake and staggered out of bed right into a jumble of arms and legs: her man, with the contortionist coiling around him on the floor. His butt was hugely big. Matilda went back to bed to resume her dying.

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Federico's avatar

What a story! There are some great lines in here, lines so evocative that they can probably act as suns to a new flash fiction solar system. Lines like these: "Everyone spoils the child, blames the clown." "How to confess that my mind is full of vicious ballet instructors who practice fencing?" Great stuff here! The narrative flow has the jerky quality of a home video, especially if it's an old home video that someone is watching as they miss someone, miss that person deeply and puzzle over what happened and especially what could have happened.

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